Perhaps you’ve heard the news: The big-screen sex scene is dead. Finished. Kaput. Or, if it’s not completely shuffling off this mortal coil, you could say that it’s on life support and being prepped for last rites. This death certificate has been issued before, of course, but given that recent …
Read More »'In the Earth': Ben Wheatley's Pandemic-Psychedelic Horrorshow
Welcome back, Weird-as-fuck Ben Wheatley. We’ve missed you. Since Down Terrace, the 2009 blend of Sopranos-style gangster saga and kitchen-sink drama that remains one of the strongest debut films in a decade, the British director has fashioned himself as a purveyor of oddball genre mash-ups, combining elements that go together …
Read More »'Waves' Review: A Family, Two Stories and One Major Young Filmmaker
This emotional typhoon unleashed in Waves is the work of Trey Edward Shults, 31, the Texas-born writer-director marked as a talent to watch thanks to his first two features: the blistering family melodrama/portrait of an addict Krisha (2014) and the blistering family melodrama/psychological horror movie It Comes at Night (2017). …
Read More »'The Souvenir' Review: A Filmmaker Looks Back and Makes a Masterpiece
Remember the name Honor Swinton Byrne — her star is born. In The Souvenir, she plays Julie, a film student in 1980s London who’s being set up to learn a lot of things the hard way. Written and directed by the bracingly brilliant Joanna Hogg, this delicate, dazzling memoir traces …
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